September 10, 2020

Welcome to Next Up, the newest member of Protocol's growing family of newsletters. Next Up is a weekly newsletter about the future of technology and entertainment, from AR and VR to smart speakers and TVs, from companies trying to own the next big thing to regulators keeping an eye who's seizing control of the industry. Let me know what you think by emailing janko@protocol.com, and please forward it to your friends and colleagues if you like it!
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Last week, my wife and I attended a play. Well, we attended one the way you do in 2020: We stayed home, downloaded an app to our phones, put on our headphones and closed our eyes.
The play was Darkfield Radio's "Double," a shelter-in-place-friendly immersive theater production that cleverly uses 360-degree audio to set the scene. It makes use of sounds from objects everyone has in their home, like the buzzing of a refrigerator or a knock on a door, to blur the lines between storytelling and reality. The play is the work of Darkfield, a group that has been putting on in-person immersive theater experiences in the U.K. and beyond for five years.
Actually, immersive audio is gaining some momentum, and theater nerds aren't the only ones embracing it.
Still, getting immersive audio right isn't easy, even for a hardware company that specializes in sound. Case in point: Bose wound down its ambitious audio AR project earlier this year after it failed to gain traction with consumers, as Protocol was first to report.
Increased accessibility might be an important step in making immersive audio a success story. Brillhart is now working on bringing Traverse to regular headphones and wants to make it more approachable overall. "We just need to dumb it down a lot," she said. However, she also believes that there's a bright future ahead for immersive audio, especially when combined with future AR glasses. "Audio will be a big part of it," Brillhart said.
"Leave the conductor and the sheet music behind. Build a jazz band instead." Netflix co-CEO Reed Hastings argues in his new book, "No Rules Rules," that creative companies need to give up control to embrace a culture of innovation.
"Theaters are dead even if nobody is willing to admit it in 2020." Lightshed Partners analyst Richard Greenfield on "Tenet," which made just $20 million this past weekend in the U.S., and its chances of bringing theaters back from the COVID-19 crisis.
Introducing the OneView Ad Platform. From Roku.
A single platform for marketers and content owners to reach more cord cutters and measure performance using TV identity data from the No. 1 TV streaming platform in the US. Advertisers can manage their entire campaigns – including OTT, linear TV, omnichannel, and more – all in one place.
Co-viewing has been a big hit during the pandemic, with Chrome extensions like Netflix Party attracting millions of viewers looking to hang out together while isolating at home. Now, one of the original hangout apps wants a piece of the pie: Airtime, which was founded by Sean Parker of Napster and Facebook fame, is preparing a web version that allows viewers to video chat while watching movies together.
For Airtime, this is just the latest pivot. Originally launched as a Chatroulette competitor on the web in 2012, Airtime briefly rebranded as OkHello two years later. The service then reemerged under the original name in 2016, ditching the web version to focus on mobile video chat — only to apparently rediscover the web for social TV in 2020.
Airtime Marketing Director Steve Labella didn't immediately respond to a request for comment about the upcoming web version. Worth noting: This is the same Steve Labella who became Snap's VP of marketing a year before the company's IPO. And Labella isn't the only significant hire made by the company in recent months: Airtime also added former CBS and Hulu exec Robert Schildhouse as its chief content officer and former IAC and iHeartMedia exec Steven Cutler as its COO. All this certainly looks like Airtime is getting ready to go big.
Thanks so much for reading the first edition of Next Up! And while Next Up is all about the future of tech and entertainment, I'm going to end this week's version with a bit of nostalgia, courtesy of the Winamp Skin Museum. As some of you may remember, Winamp was the first truly popular MP3 player app, and one of its key features was the ability for users to completely customize its UI. The Winamp Skin Museum features 65,000 such skins, and you can even try all of them online. It's glorious. Now if I could only find the Winamp skin I made 20 years ago …
Introducing the OneView Ad Platform. From Roku.
A single platform for marketers and content owners to reach more cord cutters and measure performance using TV identity data from the No. 1 TV streaming platform in the US. Advertisers can manage their entire campaigns – including OTT, linear TV, omnichannel, and more – all in one place.
Thanks for reading — see you next week!
Correction: This was updated on Sept. 11 to correct the name of Darkfield Radio's play.
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